De la cinefotografía a la cinematografía
Resumen
No se cuenta con Resumen.Descargas
Citas
Alexander Mackendrick, On Film-making. An Introduction to the Craft of the Directors, Paul Cronin (ed.), Martin Scorsese (pról.), Nueva York, Faber and Faber, 2005, p. 258.
J. Kris Malkiewicz, Cinematography. A Guide for Film Makers and Film Teachers, Nueva York, Van Nostrand Reinhold, 1973, pp. 86-135.
Rob Hummel, “Pros and Cons of 1.65, 2.35 and Super 35 Film Formats”, en American Cinematogra- pher Manual, 7a. ed., Hollywood, pp. 13-28.
Cfr. André Bazin, Qu-est-ce que le Cinéma?, París, Éditions du CERF, 2003.
Sergei Eisenstein, “The Cinematographic Principle and the Ideogram”, en Film Form. Essays in Film Theory, Nueva York, Harvest, pp. 28-44.