No. 40 (2017): Los conventos de monjas, arquitectura y vida cotidiana. Segunda parte (Tercera Época)
Artículos

El concierto virreinal de las artes en la Ciudad de México: La fiesta para la dedicación de la iglesia conventual de San Bernardo

Cristina Ratto
Facultad de Filosofía y Letras, UNAM

Published 2017-08-31

Keywords

  • Architecture,
  • Nuns,
  • Visual,
  • Visual culture,
  • Written culture,
  • Poetry
  • ...More
    Less

How to Cite

El concierto virreinal de las artes en la Ciudad de México: La fiesta para la dedicación de la iglesia conventual de San Bernardo. (2017). Boletín De Monumentos Históricos, 40, 5-30. https://revistas.inah.gob.mx/index.php/boletinmonumentos/article/view/12881

Abstract

The dedication of nunnery churches during the 17th century was accompanied by celebrations filled with both piety and ostentation. These events were meticulously recorded in urban chronicles and printed accounts commissioned for the occasion. By means of those feasts, patrons and nuns praised the new buildings while underscoring their public image. The San Bernardo convent is a remarkable example of this phenomenon. The construction of the church brought together the city’s foremost artists. The lavish celebration was described by Alonso Ramírez de Vargas in print and sor Juana Inés de la Cruz wrote the words to the octet sung during the dedication.

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