Historias ficticias: el dilema de los hechos y la imaginación en la novela histórica del siglo XIX
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James Anderson, Sir Walter Scott and History, Edimburgo, 1981, pp. 5-9, 11 -36, 89-107
John MacQueen, The Enlightenment and Scottish Literature, vol. 2, The Rise of the Historical Novel, Edimburgo, 1989, pp. 7-8, 11 -12
Marino Berengo, Intelletuali e Librai del Milano della Restaurazione, Turín, 1980; Roy Porter, The Creation of the Modern World. The Untold Story of the British Enlightenment, Nueva York/Londres, 2000, pp. 94-95
Louis Maigron, Le roman historique à l’époque Romantique, París, 1898, pp. 46, 90-93. Georg Lukács, The Histo rical Novel, Harmondsworth, 1981, pp. 22-26, 32-34
Sir Walter Scott, Waverly, Oxford, 1998, vol. II, caps. XVII y XX. Sir Walter Scott, Redgauntlet, Londres, 1957, caps. XXII-XXIII.
Jules Michelet, La Revolution Française, 7 vols., París, 1974 [1847-1853], vol I, Préface, enero 31 de 1847, p. 21
G.P. Gooch, History and Historians in the Nineteenth Century, Londres, 1913 [Boston, 1965], pp. 10-12, 14-37
Herbert Butterfield, The Historical Novel. An Essay, Cambridge, 1924; Helen Cam, The Historical Novel, Londres, 1961
David Powell, “The Historical Novel. History as Fiction and Fiction as History”, en The Historian, núm. 43, otoño de 1994, pp. 13-15.
Alessandro Manzoni, Del romanzo storico e, in genere, de’ componimenti misti di storia e d’invenzione, Milán, 1850, trad. de Sandra Bermann, Alessandro Manzoni on the Historical Novel, Lincoln/Londres, 1984, pp. 3, 63-70, 77.
Gustave Flaubert, L’education sentimentale, París, 2001, pp. 382-524.
Thomas Mann, Buddenbrooks, Londres, 1994 [Berlín, 1901], pp. 175-94.
Harold Orel, The Historical Novel from Scott to Sabatini. Changing Attitudes Towards a Literary Genre, 1814- 1920, Basingstoke, 1997, pp. 13-28.
George Levine, “Romola as Fable”, en Barbara Hardy (ed.), Critical Essays on George Eliot, Londres, 1970, pp. 78- 98, véase también, pp. 81-82.
Felicia Bonaparte, The Triptych and the Cross. The Central Myths of George Eliot’s Poetic Imagination, Nueva York, 1979, p. 6.
Anne Green, Flaubert and the Historical Novel. Salammbô Reassessed, Cambridge, 1982, pp. 11 -13, 30-32. Frederick Karl, George Eliot, Londres, 1995, p. 372
James Anderson, Sir Walter Scott and History, Edimburgo, 1981, pp. 5-9, 11 -36, 89-107
John MacQueen, The Enlightenment and Scottish Literature, vol. 2, The Rise of the Historical Novel, Edimburgo, 1989, pp. 7-8, 11 -12
Marino Berengo, Intelletuali e Librai del Milano della Restaurazione, Turín, 1980; Roy Porter, The Creation of the Modern World. The Untold Story of the British Enlightenment, Nueva York/Londres, 2000, pp. 94-95
Louis Maigron, Le roman historique à l’époque Romantique, París, 1898, pp. 46, 90-93. Georg Lukács, The Histo rical Novel, Harmondsworth, 1981, pp. 22-26, 32-34
Sir Walter Scott, Waverly, Oxford, 1998, vol. II, caps. XVII y XX. Sir Walter Scott, Redgauntlet, Londres, 1957, caps. XXII-XXIII.
Jules Michelet, La Revolution Française, 7 vols., París, 1974 [1847-1853], vol I, Préface, enero 31 de 1847, p. 21
G.P. Gooch, History and Historians in the Nineteenth Century, Londres, 1913 [Boston, 1965], pp. 10-12, 14-37
Herbert Butterfield, The Historical Novel. An Essay, Cambridge, 1924; Helen Cam, The Historical Novel, Londres, 1961
David Powell, “The Historical Novel. History as Fiction and Fiction as History”, en The Historian, núm. 43, otoño de 1994, pp. 13-15.
Alessandro Manzoni, Del romanzo storico e, in genere, de’ componimenti misti di storia e d’invenzione, Milán, 1850, trad. de Sandra Bermann, Alessandro Manzoni on the Historical Novel, Lincoln/Londres, 1984, pp. 3, 63-70, 77.
Gustave Flaubert, L’education sentimentale, París, 2001, pp. 382-524.
Thomas Mann, Buddenbrooks, Londres, 1994 [Berlín, 1901], pp. 175-94.
Harold Orel, The Historical Novel from Scott to Sabatini. Changing Attitudes Towards a Literary Genre, 1814- 1920, Basingstoke, 1997, pp. 13-28.
George Levine, “Romola as Fable”, en Barbara Hardy (ed.), Critical Essays on George Eliot, Londres, 1970, pp. 78- 98, véase también, pp. 81-82.
Felicia Bonaparte, The Triptych and the Cross. The Central Myths of George Eliot’s Poetic Imagination, Nueva York, 1979, p. 6.
Anne Green, Flaubert and the Historical Novel. Salammbô Reassessed, Cambridge, 1982, pp. 11 -13, 30-32. Frederick Karl, George Eliot, Londres, 1995, p. 372
