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Social drama in a church. The creation of Casa de Gracia Inclusive in Mexico City

Authors

  • Manuel Teofilo Andrade Lobaco

Keywords:

Social drama, performance, ritual, inclusive church, identity.

Abstract

In this article I outline and analyse the creation of an inclusive church in Mexico City, in 2016: Casa de Gracia Inclusive; this study forms part of my research on this Christian institution. I used a qualitative methodology regarding the fieldwork, which I carried out from 2015 to 2018. I conducted both participant observation and ethnographic interviews with my interlocutors, all of whom were members of this church. During this period, I was able to witness the “friendly separation” of the Comunidad Cristiana de Esperanza (Christian Community of Hope) from its headquarters: Casa Mixta. The said process was carried out by way of rituals and performances with a high symbolic content, and within the framework of a “social drama” that allowed the emergence of an independent church; it was a series of events that led to the creation of an independent church. In turn, this enabled a greater sense of belonging for the actors involved and reinforced a collective identity that combines Christian elements and characteristic symbols of sexual diversity. To carry out my analysis, I used the theoretical proposals of Victor Turner.

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References

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Published

2022-03-04

Versions

How to Cite

Andrade Lobaco, M. T. . (2022). Social drama in a church. The creation of Casa de Gracia Inclusive in Mexico City. Cuicuilco Revista De Ciencias Antropológicas, 28(82), 149–168. Retrieved from https://revistas.inah.gob.mx/index.php/cuicuilco/article/view/17653