Artículos
Publicado 2019-10-08
Palabras clave
- History,
- theory,
- conservation,
- restoration,
- contemporary art
- Brandi,
- time,
- phenomenology ...Más
Cómo citar
Brandi and the restoration of contemporary art. One side and the other the Teoria. (2019). Conversaciones con. , 7, 211-226. https://revistas.inah.gob.mx/index.php/conversaciones/article/view/14827
Resumen
The theorization of contemporary art is often presented as a recent phenomenon, and refractory to the so-called “classical” approach, inspired by Brandi. This article shows that on the contrary, since Althöfer, Brandi 's theory has underpinned many exploratory approaches, and that a careful re-reading of entire parts of his work, often neglected, is able to inform the interventions of contemporary conservation
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Referencias
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Brandi, Cesare (1950) “Il fondamento teorico del restauro”, Bollettino dell’Istituto Centrale del Restauro (1): 5-12.
Brandi, Cesare (1952) La fine dell’avanguardia e l’arte d’oggi, Edizioni della Meridiana, Milano.
Brandi, Cesare (1963) Teoria del restauro, Edizioni di Storia e Letteratura, Roma.
Brandi, Cesare (1963) Burri, Editalia, Roma.
Brandi, Cesare (1966) Le due vie, Laterza, Bari.
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Brandi, Cesare (1976) Scritti sull’arte contemporanea, Einaudi, Torino.
Brandi, Cesare (1979) Scritti sull’arte contemporanea II, Einaudi, Torino.
Brandi, Cesare (1989) Les deux voies de la critique, trad. Paul Philippot, Marc Vokar Editeur, Bruxelles.
Brandi, Cesare (1995) Il restauro: teoria e pratica, Editori Riuniti, Roma.
Brandi, Cesare (2001) Théorie de la restauration, trad. Colette Déroche, Éditions du patrimoine, Paris.
Brandi, Cesare (2007) Cesare Brandi: la restauration, méthode et études de cas, trad. Françoise Laurent et Nathalie Volle, Institut national du patrimoine, Ed. Stratis, Paris.
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Cordaro, Michele (1994) “Alcuni problemi di metodo per la conservazione dell’arte contemporanea”, in: Arte contemporanea:
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Cordaro, Michele (2005) “L’eterogeneita dell’arte contemporanea”, in: Enzo Di Martino (a cura di), Arte contemporanea:
conservazione e restauro. Atti del Convegno Internazionale (Venezia, 1996), Allemandi, Torino, pp. 63-64.
Cordaro, Michele (2013) “Experience in the restoration of traditional historical materials and the problems of restoring the many materials used in contemporary art”, in: Maria Cristina Mundici and Antonio Rava (eds.), What’s changing: theories and practices in the restoration of contemporary art, Skira, Milano.
Cosgrove, Denis E. (1994) “Should we take it all so seriously? Culture, conservation and meaning in the contemporary world”, in: Wolfgang E. Krumbein, Peter Brimblecombe, Denis E. Cosgrove and Sarah Staniforth (eds.), Durability and change: the science, responsibility, and cost of sustaining cultural heritage, John Wiley and Sons, Chichester, pp. 259-266.
De Cesare, Grazia (2013) “The ISCR: a methodic approach to the restoration of contemporary artwork - case studies”, in: Maria Cristina Mundici and Antonio Rava (eds.), What’s changing: theories and practices in the restoration of contemporary art, Skira, Milano, pp. 253-257.
Dewey, John (1934) Art as experience, Minton, Balch & company, New York.
Di Martino, Enzo (a cura di) (2005) Arte contemporanea: conservazione e restauro. Atti del Convegno Internazionale (Venezia,1996), Allemandi, Torino.
Frederick R. Weisman Foundation (1991) Conservation and contemporary art: summary of a workshop, 4-5 June 1990, Richmond, Virginia, Frederick R. Weisman Art Foundation, Los Angeles.
Genette, Gérard (1994) L’oeuvre de l’art, Éditions du Seuil (Poétiques), Paris.
Gesché-Koning, Nicole et Catheline Périer-d’Ieteren (eds.) (2008) Cesare Brandi (1906-1988): sa pensée et l’évolution des pratiques de restauration. Actes du colloque Université Libre de Bruxelles, 25 octobre 2007, Série spéciale des Annales d’Histoire de l’Art et d’Archéologie, Cahiers d’études X, Université Libre de Bruxelles, Bruxelles.
Giusto, Jean-Pierre (dir.) (1995) Recherches poïetiques. Revue de la Société Internationale de Poïétique, numéro 3, Dossier L’acte restaurateur, hiver 1995.
Glanville, Helen (2008) “Cesare Brandi, Newton and aspects of the controversies of the 1950s and 1960s at the national Gallery,London”, in: Il pensiero di Cesare Brandi dalla teoria alla pratica: a 100 anni dalla nascita di Cesare Brandi: atti dei seminari di München, Hildesheim, Valencia, Lisboa, London, Warszawa, Bruxelles, Paris - Cesare Brandi’s thought from theory to practice: the centenary of the birth of Cesare Brandi: acts of the seminars of München, Hildesheim, Valencia, Lisboa, London, Warszawa,Bruxelles, Paris, Il Prato, Associazione Giovanni Secco Suardo, Saonara, Lurano, pp. 209-216.
Hermens, Erma and Frances Robertson (eds.) (2016) Authenticity in transition: changing practices in art making and conservation:proceedings of the international conference held at the university of Glasgow, 1-2 December 2014, Archetype Publications, London.
Hölling, Hanna (2013) RE: Paik - On time, changeability and identity in the conservation of Nam June Paik’s Multimedia Installations, PhD dissertation, University of Amsterdam, Amsterdam.
Hölling, Hanna (2017) “Time and conservation”, in: ICOM-CC 18th triennial conference, Copenhagen [https://www.icom-ccpublications-online.org/PublicationDetail.aspx?cid=53384c17-3c46-4c24-8917-650f145a5530] (consulté le 20 février 2019).
Hughes, Helen (2008) “Brandi and his influence on conservation in the United Kingdom”, in: Giuseppe Basile (ed.), Il pensiero di Cesare Brandi dalla teoria alla pratica: a 100 anni dalla nascita di Cesare Brandi: atti dei seminari di München, Hildesheim, Valencia, Lisboa, London, Warszawa, Bruxelles, Paris - Cesare Brandi’s thought from theory to practice: the centenary of the birth of Cesare Brandi: acts of the seminars of München, Hildesheim, Valencia, Lisboa, London, Warszawa, Bruxelles, Paris, Il Prato, Associazione Giovanni Secco Suardo, Saonara, Lurano, pp. 201-204.
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